Be Right Back To Where You've Left.
7/8/2020 – 30/8/2020
Floating Projects 據點。句點
We spend our life producing numerous kinds of images: portraits of friends, portraits of family, portraits of our beloved one, portraits of someone who long passed away… These images further convey, reveal, disclose and confirm our emotion and relationship to these photographed subjects. The act of photographing constructs a memory shared by us and the subjects, and the photograph becomes some sort of memento that we hold on to, mentally and physically.
The seven portraiture works selected for Be right back to where you’ve left are my contemplation of using the photographic media as extensions for interpersonal relationships. By considering the process of image making, I turn the experience of seeing (or not-seeing) the images into a way to further extend or deepen the relationship itself within time. Going through conceptual and visual transformation, the act of photographing (recording) someone is not merely to make an nth document; it is an event in itself. The photographic acts become part of the relationship. In analogue photography, there is usually a time gap between the moment a photo was taken and when the subject could review the picture. As the photo is being shared, the moments gone past are back. A printed photo contains both time and recollection; it becomes a physical object of time and relationship. The works in this show raise the above issues and experiment with what a portrait could be, beyond the representation of someone’s face.
We are in an era surrounded by oceans of images for consumption, constantly bombarded by visual stimuli. Sometimes we have forgotten what portraiture truly means. There is the need for us to go back to the root of photography, to re-examine or awaken the sentiment and poetry that lie behind this medium.